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Rapper Kofi Mole has revealed that fellow rapper Sarkodie failed to show up for a video shoot of their collaborative song Makoma. According to him, repeated attempts to reach him had always proven futile. The song, which also features Bosom PYung, was a highly anticipated release, but according to Kofi Mole, the video shoot became a source of frustration due to Sarkodie's lack of response. In a recent exchange on social media, Kofi Mole responded to a user who criticized him for not promoting the song adequately. The user wrote in Pidgin English, accusing Kofi Mole of missing an opportunity to elevate the song, even suggesting Kofi's failure to promote the track properly. “You made a whole Sarkodie turn Bruno Mars,” the user added. Kofi Mole, in his reply, shared a revealing insight into the behind-the-scenes challenges. He wrote: “I was ready to shoot a video but never got any response from Sark and the team after multiple texts and calls. I let that slide.”
Egyptian Outdoor, a subsidiary of United Media Services, has renewed its partnership with Al Fakhr UAE to expand outdoor advertising services in Abu Dhabi using cutting-edge 5D technology. This expansion aims to attract new clients while enhancing advertising solutions for existing customers in Egypt and internationally. This collaboration aligns with Egyptian Outdoor’s strategy to strengthen its presence in the outdoor advertising sector by securing exclusive rights in high-demand locations.
Nigerian rapper YCee has urged the government to prohibit the use of point-of-sale (POS) machines following his revelation of a loss amounting to N2 million. The artist shared his experience on his Snapchat account, detailing how he lost over N2 million in 2024. YCee reported that N2.7 million was illicitly withdrawn from his bank account in November 2024. He indicated that these unauthorized transactions were executed using his ATM card, with the total theft occurring over three separate transactions. YCee elaborated that the initial withdrawal involved N1 million, followed by another N1 million, and finally, N700. Upon further investigation, he realized that the funds were not taken through his ATM card as he initially believed, but rather through a POS machine. In other news, Nollywood star and entrepreneur Tonto Dikeh has caught attention with a recent post on social media, stirring up talk about her relationship status.
Legendary Ghanaian gospel musician Mama Esther said she was amazed when a fan expressed his gratitude to her for her songs.
New Year, New Stories: these are the Nollywood trends we hope to see in 2025. The new year is here, and with it comes an opportunity for Nollywood to level up in storytelling, production, and representation. Over the past few years, the industry has taken huge strides; breaking into international markets, winning accolades, and telling stories that resonate globally. However, there’s room to grow! As we enter 2025, here are some trends we hope to see Nollywood embrace to keep its momentum going while captivating audiences at home and abroad. 1. More Diverse and Relatable Characters One thing Nollywood excels at is creating characters that stick with you, but let’s take it a step further. This year, we’re rooting for stories featuring a broader range of characters, people from different socio-economic classes, regions, and walks of life.
According to a statement by the Department of Home Affairs, Chidimma's mother was apprehended by police after she came back to South Africa with her Mozambican passport. The beauty pageant queen's mother was detained while she was taking care of Chidimma's child at a Cape Town residence. The Department of Home Affairs stated that Anabelo Rungo was banned from coming back to South Africa after illegally obtaining her South African identity documents. After being detained, Anabela is expected to remain in police custody while the Directorate for Priority Crime Investigation probes into the matter. Chidimma's child is also being protected by the Department of Social Development. Read the statement reshared by @MDNnewss below:
After a long pause of ten years, South Africa's iconic songstress Phinda is set to make a sensational comeback. Her new EP, titled “10 Years - A Decade”, will be officially launched on February 28 at the renowned Market Theatre in Johannesburg, inviting fans to an intimate evening filled with heart-stirring melodies and authentic storytelling.
Ghanaian highlife crooner Kwabena Kwabena has reignited the conversation on whether there are record labels in Ghana. The ‘Adult Music’ hitmaker, in an interview with Kwame Dadzie on Joy FM’s Showbiz A-Z, expressed doubt about the assertion that the Ghanaian music industry has record labels. When asked if he would accept a deal from a Ghanaian record label under favorable terms, he replied, “Are there record labels in Ghana?” “No, no, no. I am sorry, there is no record label in Ghana,” he said. Just like Kwabena Kwabena, some people believe that many music companies described as record labels are merely music management and promotional enterprises. He argues that most of these entities only provide label services but do not function as traditional record labels. Others have countered that the size of a record label has nothing to do with its function, as businesses worldwide vary in scale but often serve similar purposes.
Your social calendar just got the ultimate upgrade—10 must-visit spots and events handpicked just for you. Whether you are into live music, business panels, sports, gospel, or social gatherings, Kigali’s entertainment scene has something to keep you in the loop. Boukuru Acoustic Live Immerse yourself in a night of soulful melodies with songstress Boukuru, hosted by Marnaud Music Therapy at Atelier Du Vin. Known for her enchanting vocals, Boukuru was among this year’s Prix Découvertes RFI 2025. Curated by DJ Marnaud and friends, this event blends acoustic rhythms with carefully selected beats for an intimate yet electrifying experience. Happening this Friday, March 28, with free entry for ladies before 9 PM. General admission: Rwf8,000.
Fahmy announced this during his participation in the ongoing Berlin International Film Festival — Berlinale (13-23 February). He added that this move is part of the early preparations for the CIFF's 46th edition. This marks Tarek's first official artistic director task after serving as the deputy artistic director. Tarek graduated from the Locarno Industry Academy in Beirut and the Durban Talents programme. He has worked as a short film programmer at the CIFF, Dublin International Film Festival, El Gouna Film Festival, and Manassat Film Festival. Moreover, he served as the Cinema for Development Project Manager at El Nahda Association (Jesuit Cairo). Tarek has a broad and impactful presence in the film industry, having worked as a Selection Committee member for the Durban Film Content Shop, consultant for MedFest Egypt, and advisor to the Goethe Institute Cairo.
The four Egyptian films featured at the Berlinale are Al Mosta'mera (The Settlement) by Mohamed Rashad, Daye: Seret Ahl El Daye (The Tale of Daye's Family) by Karim El Shenawy, East of Noon by Hala Elkoussy, and the short film Akher Youm (The Last Day) by Mahmoud Ibrahim.
Nigerian comedian Ghe Ghe recently sparked debate with his views on modern relationships during an appearance on the "Honest Brunch" podcast, hosted by Nedu Wazobia. Ghe Ghe expressed that marriage has shifted from being a partnership to a means for many women to escape poverty or secure financial stability. He stated, "Marriage today is like a trap. It’s often just a way for women to escape poverty or find someone to fund their lifestyle. Men need to think carefully before walking into this financial burden." Nedu challenged Ghe Ghe by referencing his parents’ marriage, but Ghe Ghe maintained that the institution of marriage has evolved significantly over the years. He explained, "Back then, marriage was a partnership. Women were pillars of support, managing the home, farming, and raising the family while men took on leadership roles. Now, it’s a different story. The dynamic has changed, and not necessarily for the better."