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In a heart-wrenching final scene, Wela’a sat in a quiet corner, his gaze lost in the distance as if Moftah was still there. A faint smile crossed his lips, a single tear glistening in his eye—words unspoken, yet deeply felt. The story ended, but the chapter remained open. Some goodbyes don’t fade memories; they ignite them, burning forever in our hearts. It was as if Wela’a was bringing his friend back to life with his words—because those we lose may vanish from sight, but they never truly leave our souls. The gripping final episode of Welad El Shams, starring Ahmed Malek and Taha Desouky delivers an emotional gut punch to viewers.
Nigerian Afrobeats sensation and Grammy nominee, Divine Ikubor, popularly known as Rema, has opened up about some of the strangest rumors he has encountered about himself online. In a recent interview with Rolling Stone, Rema revealed that he has seen claims accusing him of being part of the Illuminati, worshipping the devil, and even drinking blood. He expressed concern over how easily people believe misinformation, noting that such rumors have led to a loss of fans. “There have been random stories about me being Illuminati, worshipping the devil, and drinking blood. I definitely lose some fans who believe anything they see,” he stated. Meaning Behind His Pendant The Calm Down hitmaker also spoke about the sentimental value of the pendants he wears, explaining that they serve as a tribute to his late father and brother. “That period was a dark time in my life, and I always wear this chain as a reminder,” he said.
In recent years, a noteworthy trend has emerged in the world of gospel music as artistes are not only captivating audiences with their powerful voices but are also sharing their life stories through memoirs and biographies. From Hollywood stars like Justin Bieber, who opened up about his struggles in “Just Getting Started,” to African luminaries such as South African gospel singer Rebecca Malope, who chronicled her life in “The Way I See It,” gospel musicians are using the written word as a platform to inspire and connect with fans on a deeper level. Joining this transformative movement is United Kingdom-based Zimbabwean gospel songstress, Eleana Makombe, who has just completed her debut book, “A Journey with God’s Imprint.”
Presenter Tatiana Durão announced this Monday, February 17, that the cycle with “Banda TV” has come to an end, showing herself to be deeply grateful for the opportunity. Tatiana shared a statement on her Instagram profile, where she stressed that she thanks the broadcaster for the trust it has placed in her over the years as a presenter, and recently as a production coordinator. “It was a period of great learning, growth and maturity, both professionally and personally. I take with me valuable memories, great lessons and the satisfaction of having contributed with dedication and passion to each project”, said Tatiana Durão. The presenter stressed that this journey continues and that she is open to new challenges and ready to embrace new opportunities on other broadcasters and platforms, “May the next chapters of this journey come”.
Ghana's entertainment industry has been blessed with talented individuals who have dedicated their lives to bringing joy and excitement to audiences across the country and beyond. However, behind the glamour and fame lies a harsh reality of many veteran creatives, particularly actors who struggle to make ends meet, despite their significant contributions to the industry. In a recent interview, Mikki Osei Berko, popularly known as Dada Boat of ‘Taxi Driver’ fame, shed light on this issue, highlighting the need for urgent attention and reform. The statistics are staggering. Mikki revealed that he was once offered between GH¢1,000 to GH¢1,500 for film roles, a paltry sum considering the value he brought to the productions.
Malawi Communications Regulatory Authority (Macra) director general Daudi Suleman has encouraged creatives to prioritise indigenous platforms for local content monetisation instead of relying solely on big tech platforms like YouTube and Facebook. He made the remarks in Lilongwe during a meeting with representatives from the creative sector, on how to effectively monetise their content on global digital platforms. In his presentation, Suleman highlighted challenges affecting the local creative industry’s ability to benefit from platforms like YouTube and Facebook, including low Internet connectivity and widespread digital illiteracy.
Lutfi was born on 3 January 1937 as Paula Mohamed Mostafa Shafiq to a Polish mother and an Egyptian father. She started acting when she was young and quickly starred in many Egyptian films. Renowned director Ramsis Naguib discovered her talent, and she played her first role in the film Sultan (1958). Then, she got another small role in the big hit Bab El-Hadid (Cairo Station, 1958), directed by Youssef Chahine. After that, Lutfi acted alongside the greatest talents of her day, pilling up a rich artistic legacy. Her best works include Hobi Al-Wahid (My Only Love, 1960), Al-Khataya (Sins, 1962), Al-Nadara Al-Sawda (Dark Glasses,1963), Al-Mustahil (The Impossible, 1966), Qasr El-Shouk (El-Shouk Palace, 1967), Ayyam Al-Hob (Days of Love, 1968), and Abi Fouq Al-Shagara (My Dad Atop a Tree, 1969).
Nollywood actress, Adesua Etomi, has opened up about the medical challenges she and her husband, Olubankole Wellington, better known as Banky W, faced in 2024. Naija News reports that the thespian made this known while celebrating her birthday in a post via her Instagram page on Saturday, February 22, 2025.
“I am back! Back like I never left! Back to add my voice to the people doing the right thing on radio,” Sammy Wetala who also presents at NTV Uganda revealed via X on Sunday. Speaking to Mbu, the former RadioCity presenter noted that he had taken a short break from radio to pursue his other passion in creating and curating events. I took a break to pursue my other passion for creating and curating events which saw me partner with friends to do the Flavours of Gabzy show, the Davido TIMELESS concert, the Mics of Kla (featuring Mike Kayihura), Lavida Rave featuring Joeboy, Spice Takeover featuring Kranium – all these needed time to execute excellently so I needed the break to venture in this new world. The Challenge of a Morning Show Sammy Wetala is ready to face a fresh challenge on radio as he has not presented a morning show previously.
Global music streaming platform Apple Music has shared its list of emerging African musical acts to watch out for in 2025. Among the acts shortlisted are Nigerian rising sensations Fola and Kaestyle who are among the new acts carving a niche for themselves in Nigerian music. Since 2020, Apple Music's artist development programme Africa Rising has showcased the best and brightest emerging artists from around the continent, exposing them to global audiences and allowing their music to reach fresh ears. With the eyes of the world firmly fixed on Africa’s vibrant music scene, Africa Rising has provided ample editorial support to emerging African artists across the Apple Music ecosystem, including Tyla, Omah Lay, Rema, Tems, Ayra Starr, Amaarae and many more. Apple Music's Africa Rising campaign kicks off the new year by introducing the next generation of African superstars, whose careers are poised to skyrocket.
Angolan presenter Benvindo Magalhães starred in one of the most emotional moments of his new program, “Show da Banda”, broadcast by Banda TV. During the edition, Benvindo paid a heartfelt tribute to his older sister, recognizing the essential role she played in his life after the loss of his mother. Visibly moved, the presenter could not hold back his tears as he recalled his journey and the importance of his sister in his personal and professional development. “I didn’t want to talk, but I have to. I lost my mother in 2001; in life, her name was Isabel Francisco Candeia. And this lady who is here, who is my older sister, was the person who took the reins of the family,” said BV. Benvindo Magalhães' tribute not only celebrated his sister's dedication, but also served as recognition to all those who, far from the spotlight, lovingly and courageously assume the role of guides within their families.
In light of Afegbai’s concerns about the discrimination faced by actors, we decided to delve into this ongoing debate and share our perspective. If you’ve spent any time on social media lately or sat through a heated debate in a film lovers’ circle, you’ve probably heard it: the clash of "YouTube movies" versus "cinema releases." In one corner, you have YouTube, the hub giving creators a platform to tell their stories without needing a big studio budget. In the other corner is the glitz and glam of cinema; big screens, popcorn, and red carpets. But here’s the real question: do these two need to fight at all? Or can they coexist and even thrive together in Nigeria’s ever-growing entertainment industry? Let’s start with YouTube. Over the past decade, it has become a haven for Nollywood filmmakers who want creative freedom, direct connection to audience, and a chance to share stories without breaking the bank.