Iretiola Olusola Doyle is a Nigerian actress, entertainer, TV presenter, writer, and public speaker. Born in 1967, she attended Christ's School Ado Ekiti and graduated from the University of Jos with a degree in Theatre Arts. She produced and presented her own fashion show, Oge With Iretiola, and anchored several television shows. She was nominated for the 2016 Africa Movie Academy Awards for her role in Fifty. She is married to Patrick Doyle and has six children.
Country
Nigeria
Born
May 5, 1967
Age
59 yrs
Iretiola Doyle's personality, appearance and style
Iretiola Doyle's content, collaborations, and interactions with fans.
Iretiola Doyle's creative works and contributions in her industry and beyond
An apple doesn’t fall far from the tree. This adage rings true in the local showbiz landscape, where the children of top celebrities are following in their parents’ footsteps. Many of these young stars have shown remarkable potential in their teenage years.
Ghanaian entrepreneur and Guinness World Record hopeful, Afua Asantewaa has opened up about how Mark Okraku-Mantey, former Deputy Minister of Tourism, Arts and Culture, nearly derailed her singing aspirations. In an interview on Accra FM, shared on Instagram on March 14, 2025, Afua revealed that after auditioning for the Mentor reality show years ago, Okraku-Mantey suggested she abandon her singing dreams and instead pursue a career in beauty pageantry. Afua confessed that Okraku-Mantey's words left her deeply hurt. She said, “ Do you know I went for Mentor. Yes, I sang one of Becca’s songs and Okraku Mantry told me to rather audition for a beauty pageant. “ Yes, I did that auditions and came second at Miss Tourism. When O was doing my singathon, surprisingly, he was the Deputy Minister of Tourism, Arts and Culture and in his days as a judge on Mentor, I was second at Miss Tourism.
With the support of the Ministry of Youth, Culture and Communication, Culture Sector, Adwar Troupe for Free Theater in Guelmim presents its new theatrical performance “Evil is Jarr”, prepared and directed by the artist Abdel Latif Al Safi, in the cities of Smara and Laayoune, on Thursday, January 23, at 8:00 PM at the Umm Al Saad Cultural Center in the Moroccan Sahara capital of Laayoune, and on Friday, January 24, at 8:00 PM at the Sheikh Sidi Ahmed Al Rkibi Cultural Center in the city of Smara. Adwar continues her theatrical tour, which started in Tiznit on January 16, and continues in our southern regions. The artist Abdel Latif Al-Safi is also supervising a training workshop in theater, as part of the program to localize the Prova Theater Troupe in Laayoune.
THAT music has long been a powerful tool for shaping communities, inspiring unity and propagating ideologies that connect people and ground them with the struggles or developments of the era is not new, it is historical. In the days of the liberation war in Zimbabwe, songs or music as an art form served as a vital instrument to communicate nationalist goals, rally support and educate communities about the reasons behind the fight for independence. The tunes, often performed during pungwes, became the voice of the people, conveying hopes, aspirations and the collective desire for liberation. It was a soft way of preaching the liberation gospel to a heterogeneous audience in a soft but sometimes emotive way that led to mass mobilisation. Today, that spirit endures as musicians continue to use music not only to celebrate progress but also to inspire development and patriotism.
The production company of “Nogoum El Sahel” has unveiled the first images from the film set to premiere on the first day of Eid al-Fitr. The film is among the highly anticipated releases of the Eid season, featuring a star-studded cast that includes Ahmed Dash, Mayan El Sayed, Ali Sobhi, Ahmed Abdel Hamid, Ali El Sebaa, Malek Emad, and Tamima Hafez. It also marks the acting debut of rapper Felix and boasts several guest appearances. Produced by RAW Entertainment—known for its successful Welad Rizk franchise—the film is backed by Synergy Plus, Film Square, and The Roof Productions. Welad Rizk 3 recently shattered records, becoming the highest-grossing film in Egyptian cinema history, with earnings exceeding 250 million EGP.
Amusical theatre graduate and Naledi Award nominee, Kanyi has built a thriving career, with standout performances as Nomasomi in Mzansi Magic’s 1802: Love Defies Times and as Nomzamo in Mzansi Magic’s Lavish. In Soft Life, she plays Zam’s (Mampho Brescia) right-hand woman, overseeing the daily operations of NubiaBlaq, an establishment that serves as a front for an escort agency. With Soft Life now available to binge on Showmax, Zibuyile Dladla sat down with Kanyi to discuss how her personal experiences helped shape her portrayal of Lady T.
Consistency, passion and resilience define Shower Power. Over the past three decades, this remarkable acapella group has nurtured gifted composers, phenomenal songwriters, and a galaxy of beautiful voices, all dedicated to singing for the Lord. They have truly been in the musical trenches for 33 years, and their contributions to the evolution and growing appeal of acapella music have made it enjoyable and accessible to many. They have become a cherished part of the Zimbabwean musical landscape. Now regarded as an institution, Shower Power deserves recognition for its enduring impact. Since 1992, the group has glorified the Lord with their well-coordinated voices, powerful compositions, and spiritually uplifting tracks, which often leave listeners yearning for paradise.
Nollywood filmmaker, Funke Akindele’s Everybody Loves Jenifa has hit and surpassed the 1 billion record becoming the highest-grossing Nollywood movie of all time. Surpassing Toyin Abraham’s Alakada: Bad and Boujee, the film’s distributor, FilmOne took to their Instagram page to announce the newest achievement. “Everybody Loves Jenifa has officially hit a historic 1.466 Billion Naira and counting at the box office, making it the highest-grossing film of all time! A massive THANK YOU to our incredible audiences in Nigeria and Ghana for making this dream a reality! Your support is everything. On to even greater heights! Still showing in cinemas near you—experience the magic on the big screen,” the post said. Akindele has done it again, this time, even bigger. In less than two weeks, the film surpassed 1 Billion. If we take a trip down memory lane, Funke has been dominating the Nigerian box office for years.
Dancehall musician Don Tarz expressed his disappointment over the challenges facing the Malawian dancehall scene, likening it to the mineral-rich Democratic Republic of Congo (DRC), where local resources primarily benefit outsiders. He emphasized that, like a flame that attracts but doesn’t warm, many Malawian dancehall artists can energize a crowd but struggle to seize financial opportunities. In light of this, in a post on his official Facebook page, Tarz highlighted the memorial show for the late hip-hop artist Martse as an example of a successful monetization strategy, where attendees were allowed to pay at the door. He elaborated on this by describing the approach as an effective way to support their efforts, noting, “You have to make hay while the sun shines.” Unfortunately, this is not the case for the dancehall community, where events like the memorial show for the late dancehall artist Mafunyeta are consistently organized for free,
Renowned singer Melody Uganda, real name Kakooza Manson is seriously considering retiring from music and concentrating on his own personal businesses. In an interview with Galaxy TV, the ‘Nkoleki’ hitmaker who has so far released three studio albums feels it is time for him to stop doing music out of pressure as he is looking at investing his time into other fields. According to Melody, his decision is highly influenced by the rate at which the industry is going downhill and he feels he cannot keep up. “I want to retire in music with my three albums. The industry is going downhill and I want to give my fans what I can before I let it go. I have other things I want to do; I want to diversify my career other than just singing and performing,” he said.
Dua Lipa scored a legal victory in a copyright lawsuit over her 2020 smash hit “Levitating” after a judge dismissed the case. Lipa was initially hit with a pair of “Levitating” copyright lawsuits in March 2022, one from Florida reggae group named Artikal Sound System that was dismissed in June 2023, and another from L. Russell Brown and Sandy Linzer. Judge Katherine Polk Failla dismissed the latter in New York court on Monday, explaining that the commonalities between songs were not protectable under copyright law. In their initial suit, Brown and Linzer accused Lipa of copying both their 1979 song “Wiggle and Giggle All Night” and 1980 song “Don Diablo,” two tracks dating from the disco era. They stated that the opening melody of “Levitating” was a “duplicate” of the melody to their songs and claimed that Lipa herself had “admitted that she deliberately emulated prior eras” in the press and “took inspiration” to create a “retro” sound.
Musician Victor Rukotana has, for the past two to three years, been regarded as a cowling baby in Gakondo music. He is now showing signs of taking over since releasing ‘Imararungu’ album, his first full-length project since launching his career in music in 2018. Rukotana’s 10-track album is not just a “regular release.” “It is a “deliberate movement to preserve and elevate the Gakondo genre,” he told The New Times. According to the artiste, Imararungu album is deeply rooted in Rwandan culture, primarily through the use of traditional instruments and themes. One of the standout aspects of the album is its recurring motif: the cow. In Rwanda, cows are more than just livestock; they symbolize wealth, wisdom, and cultural pride, representing the country’s rich history in selective breeding and traditional values.
