Ali Namous ia an Algerian actor known for his role in the 2024 film "Algiers," a mystery thriller centered around a girl's kidnapping. The film follows the investigation led by psychiatrist Dounia and police inspector Sami2, showcasing his diverse acting skills.
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Algeria
Ali Namous's personality, appearance and style
Ali Namous's skill, personality and the energy he brings to his craft.
Ali Namous's content, collaborations, and interactions with fans.
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NEW YORK (AP) — Tune into the Oct. 11, 1975 premiere episode of “Saturday Night Live” — then without “live” in its name — and you may be instantly surprised at some of the bones of the show that are still intact today. There’s the cold open skit, featuring cast members John Belushi and Michael O’Donoghue. At its end, Chevy Chase gingerly walks by the prone bodies of the two actors, playing dead, for the very first call of “Live from New York, it’s Saturday night!” NBC is rebroadcasting that episode Saturday, part of a feast of 50th anniversary programming that includes a three-hour special on Sunday reuniting dozens of past cast members and friends and a homecoming concert from Radio City Music Hall being livestreamed Friday night on Peacock.
Legendary Afro Pop/R&B singer Maskal has teamed up with contemporary singer-songwriter Eli Njuchi to dish out a sizzling love song titled “Chonchi”, which hit the airwaves on Valentine’s Day. The track has been produced, recorded, and mastered by Tricky Beatz, takes the two powerful vocalists on a phenomenon love journey that has them marvelling at their better halves. “M’tima chimwemwe, mtima wanga umagwidwa tsembwe, nthawi zonse ndikakhala nawe, I know that you’re my baby… Ukandigwira chonchi, ndimakonda ukandigwira chonchi… Ukandigwira chonchi, mtima wanga umakondwa…” sings Maskal in the song mostly delivered in Chichewa. “Sindifila lonely, you’re my happiness, ukandihoda chonchi, kundihaga chonchi, umandichotsa nkhawa… Nambewe usazasinthe iwe, Nambewe usandisiye…” goes the charming vocals of Eli Njuchi.
Renowned Ghanaian musician and current Female Artiste of the Year at the Central Music Awards, Ama Nova, has added her voice to the ongoing conversation about royalty payments in the music industry. In a recent interview with DjQwequ on Ahomka 99.5 FM at Elmina, Ama Nova emphasized the need for a more efficient and transparent system to manage royalty payments to musicians. According to Ama Nova, the current leadership of the Ghana Music Rights Organization (GHAMRO) is not doing enough to ensure musicians receive fair compensation for their work. She advocated for the establishment of new institutions to oversee royalty payments, stating that the current system is inadequate. Ama Nova's comments come as she promotes her latest single, "Odo Different," featuring Fameye. As a respected voice in the Ghanaian music industry, her call for reforms is likely to resonate with her peers and fans alike.
Ghanaian artiste, Lord Morrgan, has granted the wish of a fan who needed a motorbike during Afienya Fest 2024. Afienya Fest, hosted by the Afienya Development Committee, brought together thousands of music lovers to celebrate local culture and music on 28th December 2024. During his performance, Lord noticed one particular fan by name Wale in the crowd shouting his name with unwavering enthusiasm. Seeing the fan’s excitement, the artiste invited him on stage and asked, “What would you like as a gift from me, Lord Morrgan?” Without hesitation, the fan replied, “A motorbike!” Looking the fan in the eye, he promised, “Before the end of January, I will get you a brand-new motorbike.”
Rwandan music legend Makanyaga Abdul takes pride in the role he played in shaping Bruce Melodie’s career. The veteran artist, known for his timeless traditional hits, revealed that a simple piece of advice he gave Melodie years ago still guides the superstar today. Bruce Melodie, now one of Rwanda’s biggest artists, has often expressed admiration for Makanyaga, performing his songs and acknowledging his influence. The two musicians have shared the stage multiple times, including a memorable concert in France. Makanyaga, who has spent over five decades in music, has built a reputation for mentoring young talents, and Melodie was one of them. Speaking to InyaRwanda, Makanyaga recalled meeting a young Bruce Melodie, then just 15 years old, eager to learn music. “He approached me after a meeting, greeted me, and said, ‘I love your music.’ He then asked if he could join my music training sessions,” Makanyaga shared. “I told him, ‘Whenever you are ready, just come.’”
For 90 minutes, the world-renowned soprano Amira Selim captivated an audience of nearly 30,000 in Qatar during her performance at the closing of the "Egyptian Cultural Week" held at "Darb Al Saai" in Umm Salal. She presented 12 diverse songs, ranging from Egyptian heritage to global arts, performed in Italian and French. She was accompanied by her fellow musicians and friends, Salah Abdallah, Ahmed Osman, and Jamal Alaa El-Din, who played the piano, double bass, and percussion instruments. Amira began the concert with the song "Eh Al-Abara" by the great composer Sayed Darwish, which she had previously performed in a new musical arrangement titled "Nostalgia" in a "vocalise" style—singing without words. She concluded the concert with the famous "Hymn to Isis," following the audience's enthusiastic request, as they were captivated by everything she presented throughout the event.
Veteran Ghanaian actress Adwoa Smart has refuted rumors that former Vice President Dr. Mahamudu Bawumia gifted her a house. Speaking in an interview on Accra FM, the actress dismissed the claims as false, attributing the rumors to bloggers spreading fake news. “It’s a lie. Dr. Bawumia has never gifted me a house. I’ve not received a house gift from anybody,” she firmly stated. Adwoa Smart clarified that she has only met Dr. Bawumia once, at the funeral of veteran musician Nana Ampadu, and has never sought favors from him or anyone else. “By God’s grace, I’m comfortable. I’m not where I want to be, but I’m content. I’ve never gone to anyone asking for anything,” she added.
Rehearsals are underway for Bitter Winter – the highly anticipated new play penned by acclaimed South African playwright Paul Slabolepszy, which premieres at Pieter Toerien’s Studio Theatre at Montecasino from February 20th – March 16th, 2025. Director Lesedi Job and cast members Andre Odendaal (playing Jean-Louis Lourens), Oarabile Ditsele (playing Prosper Mangane) and Chantal Stanfield (playing Felicia Willemse) are delving deep into the roles, finding all the nuances and back-stories of this character-driven piece that speaks to the human condition and tells the tale of a story of resilience and discovery. Bitter Winter offers a heartfelt exploration of the artist’s life. It celebrates the legends of South African theatre while shining a light on the new generation of rising stars making their mark on the global stage. This tender tale takes audiences along the winding, sometimes rocky road that many artists feel compelled to travel in pursuit of their dreams.
Ghanaian musician Krymi has voiced his displeasure with the behavior of certain individuals who described themselves as "gatekeepers" in the creative arts industry. In an interview with Onua FM, Krymi emphasised that the creative arts industry is meant for talents, not for individuals who seek to control it. According to Krymi, these 'gatekeepers', who have been bestowed with certain powers, act as though they have the authority to determine the fate of an artiste. "I don't like people who are called gatekeepers because the industry is not for them. The industry is for the musicians, so do not gatekeep a talent you didn't give. “The only person who can gatekeep the industry is God. But unfortunately, there is a system and these people are there, hence you need to find a way to navigate the system," he said.
“Our Sophia was a wonderful project… a wish that almost came true. What I have to tell you is that our little girl will no longer arrive in the world where her parents and siblings would welcome her with open arms. Sophia was a dream… a dream that continues and I am sure that she will return. Yes, she will return, because Fredy and I still want to have our little girl. And we believe a lot in spirituality, so I know that Sophia will be among us in the next attempt. I am already the mother of three boys and I know that a little girl will arrive. It was almost, this time… but I know that God saved the just reward for this family for later. Our little girl will arrive. And we will be waiting for her, because we will not stop trying. We love you very much, daughter. Note: but, next time we will not say anything. They will only scare people and Sophia will be on your screen.
Your social calendar just got the ultimate upgrade—10 must-visit spots and events handpicked just for you. Whether you are into live music, business panels, sports, gospel, or social gatherings, Kigali’s entertainment scene has something to keep you in the loop. Boukuru Acoustic Live Immerse yourself in a night of soulful melodies with songstress Boukuru, hosted by Marnaud Music Therapy at Atelier Du Vin. Known for her enchanting vocals, Boukuru was among this year’s Prix Découvertes RFI 2025. Curated by DJ Marnaud and friends, this event blends acoustic rhythms with carefully selected beats for an intimate yet electrifying experience. Happening this Friday, March 28, with free entry for ladies before 9 PM. General admission: Rwf8,000.
n the heart of Durban, a creative renaissance is underway, one that not only encourages artistic expression but also builds a strong sense of community. As artists gather to hone their skills and explore their creativity, we highlight two dance companies that are transforming lives through the power of dance. Founded by Lliane Loots, the Flatfoot Dance Company emerged from a pressing need for a dedicated space where young black dancers could get contemporary training. Reflecting on the early days, Loots recalls: “It started at that historic moment in 1994, just as a training programme for dancers. “I realised that there was a lack of space, specifically for young black dancers to come and learn contemporary dance training ... I was surprised because people just started to come,” said the artistic director.
